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JACK BUSH "THE ANGEL" OIL ON MASONITE, 1951 Weegee distortion Layers of un mined marble and Layers of un mined marble and the ravine walls bear geometric patterns from the markings of individual blocks and the National Gallery (Ottawa) His practice evolved during the late 1940s when the artist began to incorporate elements of abstraction the foundation of his career is defined by nearly three decades of figuration and experimentation
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